audio-visual performance / SAAL3 vol4 performance platform at Kanuti Gildi SAAL
, Tallinn
Performative crossroads mythology evokes a liminal state—a symbolic system where restless or displaced spirits converge, beings caught in a threshold of transition. As both mythological motif and ritual setting, the crossroads mark a condition in which boundaries between past and future, the visible and the hidden, the real and the imagined blur and fold into one another, forming a new layer of experience.
Within this space, magical and ritual actions can be enacted to create or transform identities and relations of belonging. The crossroads thus operate as a threshold zone where worlds intersect and opposing categories—life and death, presence and absence, self and other—lose their clear distinctions.
Performative crossroads mythology is expressed as a ritual act that is symbolically charged and opens up the possibility of approaching identity, separation, and transition not as fixed states but as dynamic and shifting processes.
Such an approach makes it possible to understand the dialectic of belonging and separation not through opposites, but through continuous fluidity and reinterpretation. Crossroads mythology thus signifies not only a meeting place between worlds, but also a performative practice that generates new meanings and forms of existence within the context of liminality.
audio-visual performance / SAAL3 vol4 performance platform at Kanuti Gildi SAAL
, Tallinn
Performative crossroads mythology evokes a liminal state—a symbolic system where restless or displaced spirits converge, beings caught in a threshold of transition. As both mythological motif and ritual setting, the crossroads mark a condition in which boundaries between past and future, the visible and the hidden, the real and the imagined blur and fold into one another, forming a new layer of experience.
Within this space, magical and ritual actions can be enacted to create or transform identities and relations of belonging. The crossroads thus operate as a threshold zone where worlds intersect and opposing categories—life and death, presence and absence, self and other—lose their clear distinctions.
Performative crossroads mythology is expressed as a ritual act that is symbolically charged and opens up the possibility of approaching identity, separation, and transition not as fixed states but as dynamic and shifting processes.
Such an approach makes it possible to understand the dialectic of belonging and separation not through opposites, but through continuous fluidity and reinterpretation. Crossroads mythology thus signifies not only a meeting place between worlds, but also a performative practice that generates new meanings and forms of existence within the context of liminality.