Director:
Michael Keerdo-Dawson
Writers:
Dirk HoyerMichael Keerdo-Dawson
Producers: Katariina Rahumägi, Helen Räim
Composer: Mihkel Maripuu
Cinematography: Diego Barajas
Cast: Karin Rask, Rain Tolk, Jaanika Arum, Jaanus Tepomees, Maria Paiste, Liisu Krass, Rauno Polman, Priit Vainus, Kärt Tomingas, Roman Maksimuk, Rasmus Kaljujärv, Eduard Tee, Alina Karmazina, Karmel Naudre, Nicholas Marsh, Jekaterina Kazantseva
STORYLINE:
The Limits of Consent is an interactive psychological drama which offers the audience choices so they can change the direction of the story. This branching storyline leads to nine distinct endings.
The story follows Anna, a high-tech pick-up artist who helps awkward men to seduce lonely women in high-class bars on cold evenings in Tallinn. But Anna’s own love life is far from perfect; she is a divorcee, in therapy, and to make matters more complicated, she is having an affair with her therapist.
When it comes to others, Anna can play the game of sex and love like a professional; she knows just what to say to manipulate anyone into doing what she wants. But she can’t seem to see what’s plainly wrong in her own love life.
At a critical moment Anna loses control of the game of love completely, at which point it is up to the audience to navigate her fractured psyche and see where it leads them.
Director:
Michael Keerdo-Dawson
Writers:
Dirk HoyerMichael Keerdo-Dawson
Producers: Katariina Rahumägi, Helen Räim
Composer: Mihkel Maripuu
Cinematography: Diego Barajas
Cast: Karin Rask, Rain Tolk, Jaanika Arum, Jaanus Tepomees, Maria Paiste, Liisu Krass, Rauno Polman, Priit Vainus, Kärt Tomingas, Roman Maksimuk, Rasmus Kaljujärv, Eduard Tee, Alina Karmazina, Karmel Naudre, Nicholas Marsh, Jekaterina Kazantseva
SUMMARY:
The Limits of Consent is an interactive psychological drama which offers the audience choices so they can change the direction of the story. This branching storyline leads to nine distinct endings.
Summary:
The story follows Anna, a high-tech pick-up artist who helps awkward men to seduce lonely women in high-class bars on cold evenings in Tallinn. But Anna’s own love life is far from perfect; she is a divorcee, in therapy, and to make matters more complicated, she is having an affair with her therapist.
When it comes to others, Anna can play the game of sex and love like a professional; she knows just what to say to manipulate anyone into doing what she wants. But she can’t seem to see what’s plainly wrong in her own love life.
At a critical moment Anna loses control of the game of love completely, at which point it is up to the audience to navigate her fractured psyche and see where it leads them.